Co-wrote ', the second single from. Name of song, writers, originating/intended album and year of release. Song Writer(s) Originating/Intended album Year Ref.
Leona Lewis Misses Glass Leona Lewis Leona Lewis Bleeding Leona Lewis Happy Leona Lewis Footprints Leona Lewis Forgive Thunder Leona Lewis.
' ' 2007 'Alive' Leona Lewis 2009 'Angel' 2007 'Another Love Song' Leona Lewis 2015 ' Walter Scott 2013 'Bad Boy' Barry Offoh Best Kept Secret 2005 ' The Best You Never Had' Josh Alexander 2007 ' 2007 ' 2007 'Brave' Leona Lewis Julian Bunetta Andrew Frampton 2009 'Broken' Leona Lewis 2009 ' 2012 'Can't Breathe' Leona Lewis Gavriel Aminov Uriel Kadouch Lundon J.
. ' Released: 17 December 2006. ' Released: 22 October 2007. '/' Released: 9 March 2008. ' Released: 8 September 2008. ' Released: 30 November 2008.
' Released: 6 January 2009 Spirit is the debut by British singer-songwriter, released by in November 2007 in the United Kingdom and Ireland, followed by a worldwide release during early 2008. After winning the third series of reality singing contest in December 2006, Lewis began recording the album in Sweden, the United Kingdom and United States, working with a variety of writers and producers. Critics praised the album for creating a contemporary album using such a variety of producers, and for showcasing Lewis's voice, though they criticised her 'lack of personality'. The release of the album marked Lewis as the first winner of a major television talent show in both the UK and US to be given a major global launch with a debut album.
The album debuted at number one in nine countries, including the United Kingdom, United States and Germany, and peaked in the top five in a further eight countries. It held the record for the biggest digital album sales in a week ever for a new artist. The album was the sixth biggest selling of 2008 in the world, as according to the. It has gone on to sell over 8 million copies worldwide, and was the, where it has since sold over 3.12 million copies and remains the best-selling debut album by a female artist. Spirit spawned seven singles, including two from a re-release of the album. Lead international single ' went on to top the charts in 36 countries, becoming one of the best selling singles by a female of all time.
It was nominated for and at the, and British Single at the. Follow-up single ' also fared well, charting in the top ten in thirteen countries and reaching number eleven in the US. After a well received performance of 's ' whilst promoting Spirit, Lewis recorded a for the re-release of the album, titled Spirit – The Deluxe Edition, which was released as a download-only single in the UK, where it charted at number one, going on to be the third Platinum-selling single from Spirit, following X Factor winner's single ' and 'Bleeding Love'.
Contents. Background In December 2006, Lewis won the third series of British reality singing contest, The X Factor, her prize being a £1 million recording contract with, for which is an executive. Cowell also mentored Lewis on the show.
During the live final, Lewis duetted with of band, who told Cowell, 'This girl is probably fifty times better than any other contestant you have ever had, so you have a big responsibility to make the right record with her.' Cowell admitted that Barlow's words resonated with him, and thus the decision was made to not rush her debut album, as he wanted an 'incredible record' of original material, which he believed could not be done in less than a year.
Lewis also wanted a high quality album that she could feel proud of. Cowell told Lewis that he did not care if the album took three years to make, he wanted to get it right. On 25 April 2007, a press release was sent out revealing that Simon Cowell and, chairman and CEO of, would work together in a first-of-its-kind partnership on both the song and producer selection for the album. Lewis performed a showcase for several American music executives at the in. Lewis named the album Spirit because 'it is my heart and soul and the voice within that says everything is possible.' The album originally had a September 2007 deadline, but was delayed due to Lewis suffering from and waiting for producers to become available.
Writing and recording Lewis recorded the album in several locations the first being London, England, where she worked with, who produced the songs 'Homeless' and '. 'Homeless' was written by, and was previously recorded by Swedish singer. 'Footprints in the Sand' was written by, and.
The song is an adaptation of the Christian poem ', and Lewis commented 'Originally it was a poem; it's very inspirational so we put it into a song. I think it is very moving, with a very emotional lyric and I really love to sing this song'. Cowell came up with the idea to base a song around the poem, and asked Kreuger and Magnusson whether they could write something dealing with this subject. They took the idea to a songwriting session the pair already had scheduled with Page at his home in and they finished the song the following day. When Cowell mentioned the song concept to Lewis, she agreed that it could be 'really quite interesting'.
In Los Angeles, California, Lewis teamed up with singer, with whom she recorded two songs, ' and 'Take a Bow'. In February 2007, frontman Ryan Tedder and pop singer-songwriter Jesse McCartney had written the song 'Bleeding Love' for, McCartney's third studio album. However, his record label, did not like the song. Tedder believed it was a 'massive' song and the record company was 'out of their mind'. McCartney wanted to keep it for himself as he had a personal attachment to the song, but it did not work out.
Tedder had previously made the decision not to work with contestants from the singing competition, but he had not heard of The X Factor. After being shown a website about Lewis, he thought that 'her voice just sounded unreal,' saying that 'from a writer's perspective, this girl – with or without a TV show – has one of the best voices I've ever heard.' On hearing that Cowell was looking for songs for Lewis's debut album, Tedder rearranged 'Bleeding Love', changed the key and tailored it to suit her voice. 'Take a Bow' was written and produced by Tedder, Wayne Wilkins and.
Watters and Biancaniello also wrote 'Yesterday', with Jordan Omley, Michael Mani, and Nina Woodford. ' was recorded in Los Angeles with producer, who wrote the song along with. ' is a cover of an song, written by Lavigne, and, that was released as an iTunes bonus track and on the Limited edition of her album.
'The Best You Never Had' was also record in LA, written and produced by and Josh Alexander, ', a cover of the song, was recorded in both Atlanta and Los Angeles. It was produced by Wayne Wilkins, Sam Watters and Louis Biancaniello. 'I'm You' was recorded in Atlanta with, 'Angel', a production, was written by Stargate, and, and recorded in New York. Lewis co-wrote 'Here I Am' with and in LA. Lewis wanted to be involved in the writing process, and said that Cowell allowed her to do so as it was 'her album'. She noted 'I've not been given a formula to follow.
I had the time to find my feet and co-write a lot of material. I've learned a lot and Simon and Clive really listen to me.' In, Lewis worked with producers Alonzo 'Novel' Stevenson and on the song 'Whatever It Takes', which Lewis co-wrote together with Novel and Tony Reyes. In, Lewis worked with, and 'Forgiveness' was recorded. It was written by Lewis, Remi and. Lewis's debut single, a cover of 's ', is included as a bonus track on releases in the UK, Ireland and Japan. Two new songs were recorded in 2008 to help the album appeal more to an American audience: ', which was written and produced by, and 'Misses Glass' written by Mad Scientist and RockCity.
In an interview with, Lewis explained 'I wanted to do something a bit different and the chance to work with Akon came about. I'm really pleased with how it's turned out and it's great that it's different, rather than what I always do.' Music and lyrics Commenting on the album's lyrics, Lewis said, 'They reflect things that I'm really passionate about. I have to be able to put myself in the song for it to ring true to me.
If it doesn't ring true to me, it's not going to be believable to anyone else.' Lewis described the album's style as 'classic songs with a contemporary edge', containing R&B and 'fresh pop' styles, ballads and 'soulful up-tempo numbers'. It has an American style, with some electronic 1980s sounds; however, the songs are not beat-driven or following the latest trends, but are songs that can be performed acoustically. Opening track 'Bleeding Love' employs a which is audible throughout the song until the bridge. Synthesized strings are also prominent throughout the song, which intermittently integrates percussion throughout the track. A heavy, distorted marching band-like drum loop backs the song.
McCartney wrote the song about his longtime girlfriend, and said: 'I kept thinking about being in love so much that it hurts. I was away from my girlfriend for four months at the time and I really wanted to quit and fly home. I was so in love that it was painful. It was like bleeding, it cut me open.' The song refers to someone in a relationship who is extremely blinded by love. Regardless of the numerous warnings from her friends and the fact that she is emotionally hurt by her lover, she continues to love him and accepts the pain.
Metaphorically, this is represented in his 'cutting her open'; however, all she can do is 'bleed love' for him. 'Whatever It Takes' was described as a 'chipper slice of soul-pop, anchored by a surprisingly bone-shaking beat', followed by 'Homeless', a 'moody piano-heavy trembler' and a 'haunting, blues-style ballad'. 'Yesterday' has been described as 'a smoochy R&B slow jam'. 'Better in Time' is a pop and R&B song set in a moderate tempo.
![Leona Lewis Misses Glass Mp3 Download Leona Lewis Misses Glass Mp3 Download](/uploads/1/2/4/1/124152443/578036076.jpg)
Lyrically the song talks about someone who cannot forget her ex-partner, and at the end the protagonist knows that 'it will all get better in time'. 'Take a Bow' has been described as starting with an 'ice-cool synth riff' and having 'big, crunchy beats and powerhouse chorus'.
'I'm You' features 'delicate harps, echoey vocals and skittering beats'. 'Footprints in the Sand', a 'massive power ballad', incorporates elements of pop and R&B genres, and contains a production performed by the choir and features 'crashing drums'. It incorporates keyboard instruments, guitar, bass and includes a choir performance by The Tuff Session Singers.
The song is about 'standing by someone and being there for people who need your help.' 'Forgive Me' is an R&B, soul and dance-pop song written in.
The song refers to a protagonist in a one-sided relationship who leaves her boyfriend and eventually finds someone to reciprocate her love. Though she has found love from someone else, she defends herself and asks her ex-boyfriend for forgiveness. Singles Syco managing director, Sonny Takhar, initially expected at least five singles to be released from the record, stating 'every track is a potential single – we really are spoiled for choice.' Spirit spawned seven singles, two of which came from Spirit – The Deluxe Edition. ' was available as a in the UK and Ireland from midnight on 17 December 2006, after Lewis won the third series of The X Factor, followed by a CD release on 20 December. It became the fastest selling UK single when it was downloaded more than 50,000 times within thirty minutes of release.
On 24 December, 'A Moment Like This' was crowned the 2006 UK, and it stayed at number one in the for four weeks and in the for six weeks. It was the second biggest selling single of 2006, behind 's, and went on to be certified platinum by the. ' was released in October 2007 in the UK and Ireland, followed by a worldwide release in early 2008. It entered the UK Singles chart at number one with sales of 218,000 copies, which was the biggest first-week sales of 2007 to date. It stayed at number one for seven weeks in the UK, and reached number one in a further thirty-three countries, including the United States, where Lewis became the first British solo female to reach number one since 's ' in 1987.
Written by and, the song was planned for McCartney's third solo album, but his record label did not like it, so Tedder rearranged the song to fit Lewis's voice. The song was well received by critics, who praised Lewis's vocal performance. It was nominated for and at the, and British Single at the. ' was Lewis's second worldwide single, released in March 2008 in the UK and during spring and summer throughout the rest of the world. In the UK it was released as a with ', in aid of.
The single reached a peak of number two in the UK, and was certified silver by the BPI. It peaked within the top ten in a further thirteen countries, and at number eleven in the Billboard Hot 100. The song received positive reception from critics, and was nominated for British Single at the.
' was released between July and November 2008 throughout Europe, Australia, New Zealand and Japan, and was the first single from the re-release of Spirit. Critics praised the change in direction for her, although the lyrical content was criticised. It reached number five in the UK, and also peaked within the top ten in Ireland, Italy, Sweden and Turkey. ' was released as a download-only single in the UK and Ireland in November 2008, and later worldwide. Lewis first performed 'Run' on the section of, where artists perform two songs: one song of their own and one by another artist, in an acoustic format. After positive fan reaction Lewis decided to record a studio version for the re-release of her album.
Critics praised her version, which spent two weeks atop the UK Singles chart, giving Lewis her third UK number one. It also reached the number one spot in Austria and Ireland, and reached the top ten of Finland, Germany and Switzerland. The finale single ' was released in January 2009, only in North America; it peaked at number 66 on the Billboard Hot 100 and number 83 in Canada. Release and promotion. Lewis performing 'Bleeding Love' as the closing number on The Labyrinth tour in 2010 The release of the album marked Lewis as the first winner of a major television talent show to be given a global launch with a debut album.
Spirit was re-released on 17 November 2008 in the UK following the release of '. It also features 'Misses Glass' from the American version of the album, and Lewis's cover of 's '. In addition to the extra tracks, the deluxe featured a DVD containing all of Lewis's music videos to date except the video for 'Run'. The deluxe edition was released on 3 February 2009 in the US, including two out of three of her b-sides as well as the single mix for 'Run', which is 34 seconds shorter than the international album version.
The accompanying DVD includes all of Lewis's music videos, with the exception of 'A Moment Like This', along with a live video of 'I Will Be'. On 24 September 2007, Lewis performed a special album launch party at the in, London. She performed 'Bleeding Love', 'The First Time Ever I Saw Your Face', 'Homeless' and 'Whatever It Takes'.
Lewis went on a two-day UK regional radio tour to promote the album and single 'Bleeding Love' on 11 and 12 October. This was followed by an appearance on on 15 October. Lewis performed 'Bleeding Love' live on the of on 20 October 2007. From 29 October 2007, Spirit was 's Album of the Week. In November 2007 she performed 'Bleeding Love' and a cover of the song 'Run' on 's show. Lewis performed 'Bleeding Love' and 'The First Time Ever I Saw Your Face' on Saturday Night Divas. During February and March 2008, Lewis promoted the album in Europe.
In February, Lewis made her American TV performance debut on singing '. Then through the course of late March and early April Lewis carried out a large scale promotional tour throughout America appearing and performing on TV shows including, and, with a performance in late April on followed by a promotional tour of Australia. In November 2009, dates in the United Kingdom and Ireland were confirmed for, supporting Spirit and Lewis's second album. Critical reception Professional ratings Aggregate scores Source Rating (65/100) Review scores Source Rating mixed B C+ mixed Spirit received positive reviews from most upon its release. At, which assigns a rating out of 100 to reviews from mainstream critics, the album received an score of 65, based on 13 reviews, which indicates 'generally favourable reviews'. 's Chad Grischow described Spirit as the 'perfect showcase for Lewis' fantastic skills', praising her ability to sing both upbeat tracks and 'tender piano ballads'.
Sarah-Louise James from the gave a positive review, saying, 'Fans of her sweet, soaring vocals and power ballads won't be disappointed.' Chris Elwell-Sutton of the said that Spirit will be 'a very successful album with some much-needed grit.'
's Nick Levine gave the album four out of five stars, claiming that although Lewis had a pallet of different producers working with her, they managed to prevent her from sounding 'too fusty or old-fashioned.' Stephen Thomas Erlewine of said 'Lewis can hit those big notes but make it seem easy, never straining her voice and building nicely to the climax.
Unlike most divas, there is a human quality to her voice, as she's singing to the song, not singing to her voice.' He compared it to 's debut album, but criticised the old-fashioned sound. 's review was brief, summing up that ' Spirit has four absolutely blinding tracks on it, three far better than average tracks on it, and some others which are quite good. There are no totally chronic songs on Spirit apart from 'A Moment Like This'.' 's Sarah Rodman praised Lewis's ability to make unremarkable songs sound impressive, saying 'The tracks are impeccably manicured, super-tuneful, and offer lyrics about the various agonies and ecstasies of love that are unremarkable in and of themselves but reach nuclear-threat levels of desperation thanks to Lewis's voice.' In the mixed reviews critics generally praised Lewis's voice but criticised the music.
Lyndsey Winship from complimented Lewis's vocal ability but perceived a lack of 'hooks, innovation and personality'. On Lewis's vocals commented 'The subtle flutter of her finest melismatics could give an open-minded person goose bumps. Her coarser melismatics, however, are the usual showoff and probably also a commercial prerequisite, like not having a harelip.'
Sal Cinquemani of praised Lewis's voice but criticised the mixture of styles within the album. 's Nate Chinen felt the album did not live up to the standards of lead single 'Bleeding Love', but was successful in showcasing Lewis's vocal capabilities. Caroline Sullivan of was disappointed, saying 'Lewis has clearly invested every scrap of energy into these songs. but being able to belt 'em out is only half the story, and if there's a personality here, it's well hidden.' Victoria Segal of praised Lewis's voice, but criticised the music, saying 'Lewis has a powerful voice but on Spirit it seems to have paralysed her collaborators creatively. Instead of taking the opportunity to craft it into new and exciting shapes, it has been stuck in a big spotlit display case, revolving slowly and rather boringly on a velvet cushion of overstuffed balladry.' She concluded by saying, 'If Lewis is looking for the greatest love of all – public adoration – she will have to do better than this.'
Accolades At the Lewis was nominated for four awards, including British Female Solo Act, British Breakthrough Act and British Album for Spirit, and was the favourite to win most awards, however she walked away empty handed. She garnered three nominations at the including. At the 2008 Spirit won the MOBO award for Best Album and Lewis was nominated for Best UK Female. The album was nominated in the Album of the Year category, whilst Lewis won Best UK + Ireland Act and was nominated for Act of 2008 and Europe's Favourite Act. Spirit won Best Album 2008 at the, and was nominated for Worst Album at the. In December 2008 Lewis was named Top New Artist by magazine.
Additionally, Lewis was nominated for Breakout Artist at the, won the for Best New Artist and Best Pop Female, and was awarded the Shooting Star. Commercial performance. – keyboards. Josh Alexander – guitar, keyboards. Dave Arch –, piano. – keyboards.
Amy Chang – violin. Jack Daley – bass. –. Stephen Ferrera – drums. Karen Freer –.
– instrumentation. Daniel Laufer – celli. Chris Laws – drums. – guitar. Phillip Lowman – drums. – keyboards, synthesizer. – piano.
John Paricelli – guitar. Steve Pearce – bass. William Pu – violin. Tony Reyes – guitar.
– instrumentation. Olga Shpitko – violin. – keyboards. – drums. – keyboards. Steven Wolf – drums, Production.